
đź§ Starting with the Basics: The Scale
We begin with the C major scale, which consists of the following notes:
C – D – E – F – G – A – B – C
Each note is assigned a number based on its position:
- C = I (1st degree)
- D = II (2nd)
- E = III (3rd)
- F = IV (4th)
- G = V (5th)
- A = VI (6th)
- B = VII (7th)
This numbering helps us understand chord construction more easily.
🎵 Building Triads: The 1–3–5 Rule
To form a basic chord (called a triad), we use the 1st, 3rd, and 5th notes of a scale. For example:
- From C: C – E – G → This is the C major chord, often written as C, Cmaj, CM, or CΔ.
- From D: D – F – A → This is the D minor chord, written as Dm, Dmin, D–, or Db3.
Each chord has a distinct sound based on the intervals between its notes. The major chord has a brighter, more open sound, while the minor chord feels more somber or introspective.
🎼 Other Chords in the C Major Scale
Here’s how other chords are formed using the same 1–3–5 formula:
- E – G – B → E minor
- F – A – C → F major
- G – B – D → G major
- A – C – E → A minor
- B – D – F → B diminished (notated as B-b5)
📚 Summary Table of Chords in C Major
| Scale Degree | Mode | Root Note | Chord Notes | Chord Name |
|---|---|---|---|---|
| I | Ionian | C | C – E – G | C major (CΔ) |
| II | Dorian | D | D – F – A | D minor (D–) |
| III | Phrygian | E | E – G – B | E minor (E–) |
| IV | Lydian | F | F – A – C | F major (FΔ) |
| V | Mixolydian | G | G – B – D | G major (GΔ) |
| VI | Aeolian | A | A – C – E | A minor (A–) |
| VII | Locrian | B | B – D – F | B diminished |
🔍 Major vs. Minor: What’s the Difference?
To understand why D minor is minor and not major, we look at the intervals:
- D major: D – F♯ – A → The third is F♯
- D minor: D – F – A → The third is F
The difference lies in the third note. A major chord has a major third (4 semitones above the root), while a minor chord has a minor third (3 semitones above the root). So, D minor has a “flattened” third compared to D major.





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